NEW EDITOR-IN-CHIEF for form Design Magazine

NEW EDITOR-IN-CHIEF for form Design Magazine

Anton Rahlwes and Nina Sieverding will succeed Stephan Ott as co-editors-in-chief of form Design Magazine at the beginning of 2020.

Stephan Ott has significantly shaped form Design Magazine as editor-in-chief since 2012. Under his leadership and with his journalistic standards, form Design Magazine has developed into an outstanding medium for design-related issues.

Peter Wesner, publisher of form: "Stephan Ott will increasingly dedicate himself to the connection between design theory and practice. I thank him for the consistently trusting cooperation and wish him continued success. I would be very pleased if Stephan Ott, with his expertise, would remain connected to form in the future."

Anton Rahlwes and Nina Sieverding have been part of the editorial team. Anton Rahlwes, a designer trained at FH Potsdam, is a co-founder of the Berlin furniture label OUT – Objekte unserer Tage. For the internationally active label, he was responsible for, among other things, the brand's visual identity, various own designs, and trade fair appearances at IMM Cologne.

Nina Sieverding completed internships at the Bauhaus Dessau Foundation and in the graphics department of Zeit Campus during her design studies in Braunschweig and Bremen. As an author and graphic designer, she worked for the Braunschweiger Zeitungsverlag, Typo Berlin, and the Berliner Festspiele.

 

A NOTE ON OUR OWN BEHALF

In 2017, form Design Magazine celebrated its 60th anniversary. form was founded in 1957 as an "International Review" by Jupp Ernst, Willem Sandberg, Curt Schweicher, and Wilhelm Wagenfeld. The first issue stated: "form thus focuses on the design of utilitarian goods, viewing industrial design in connection with the forms of fine art, architecture, but also theater and film, as well as photography."

What began as a broad-based cultural magazine has developed into one of the leading international design magazines, reporting interdisciplinarily on developments in the core areas of product, industrial, communication, and fashion design, as well as design theory. The magazine's content is supplemented by an extensive digital offering and

specialist design publications, as well as the form Design Classics book series.