"Money is what counts as money," is what you learn at the German Money Museum. This means, conversely, that money could be anything. It is only through social consensus that money – actually a trivial medium of exchange – becomes the ultimate instrument of design. We lend this instrument value and power. For example, in the form of a capitalist system, colonial exploitation, expensive design objects, or humanitarian work – all topics in our new issue.

On Instagram, we asked students, self-employed, and employed designers about their financial situations and concerns.

Sugarcane plantations – like all monocultures – are a real biodiversity killer. They also harbor a heavy colonial legacy. Designer Yassine Ben Abdallah traveled to his homeland La Réunion for an autobiographical essay and brought stories of machetes back to Europe. An article in English.

In an interview with humanitarian designer Thomas Jäger, we had to ask for clarification a few times. This form of design is quite young, but according to Jäger, it could be the key to a more just global future. But does unsolicited help on distant continents go too far?

After the release of this lamp by Sebastian Herkner, everything changed for founders Patrick and Ursula L’hoste. Their hobby, the design label Pulpo, became a serious business. Valerie Präkelt explores the secret behind this success in her text.

In her essay, design philosopher Mara Recklies examines the partly contradictory role of (young) designers in a capitalist reality.

In addition, we rediscover the ancient material hemp and gain insights into the cash flow behind font license sales. We present the latest carafes – to keep you hydrated – and deal with stylish headwear. Christoph Rauscher tells the story behind the Million Dollar Homepage, and Fabian Korner explores eating prostheses.

Click here for the new issue.